Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

6.26.2016

Pellinor Book Tag






THE QUESTIONS
The Gift / pick a book that kept on giving (a book that stayed with you after finishing)
The Riddle / pick a book that kept you guessing until the very end.
The Crow / pick your favourite animal companion
The Singingpick you favourite series conclusion
The Bone Queen / pick your favourite villain
Maerad / pick a favourite heroine who isn’t perfect
Cadvan / pick a mentor/teacher from a book/series you would like to be taught by
The Speech / pick a book with a unique magic system 
Elementals/Elidhu / pick a book with legendary beings or mythical creatures within
Pellinor / pick your favourite fictional place.

1.09.2016

The Lord of the Rings / Middle Earth, Female Representation, and Samwise Gamgee



I have long considered myself a fan of J.R.R. Tolkien's work mainly due to my long relationship with The Hobbit. However, after finally finishing his epic Lord of the Rings trilogy this past December, I have a new and intensified appreciation for Tolkien's imaginative genius.

I don't even know if I can begin to explain my love for the world that Tolkien created. Middle Earth is a magical place that reminds me very much of actual medieval texts, like the Lais of Marie de France or the epic Beowulf. You can see that in every word Tolkien is crafting a new mythology even more epic than the tales of King Arthur himself.

And Tolkien's descriptions are so detailed that I think, even if I wasn't already very familiar with Peter Jackson's movie adaptations, I would be able to picture Middle Earth perfectly. From the landscapes to the different cultures to the winds and songs, I honestly cannot name another fantasy series that brings these to life as well. I might actually enjoy Tolkien's world building more than the actual plot!
Of course, Tolkien's novels are as much about his characters as they are about the mystical universe he created. He crafts the twisted characters like Saruman and Denethor beautifully, while Sauron and his Eye loom so ominously in the background of the entire series that you can't help but feel oppressed and terrified even from the safety beyond the pages of the physical book.

I almost don't feel the need to talk about all of the strong male heroes. We have Boromir and Faramir, the brothers of Gondor who are so different in manner and yet so similar in strength. We have Elrond, Legolas, and Gimli, mythical figures of a fading past. Gandalf, the riddler and light-bringer who sets everything into motion. And of course there is Aragorn, wild Ranger turned king and savior of mankind. 

One complaint I have often heard from even avid fans of The Lord of the Rings is that Tolkien seems to have completely failed when it comes to representation of female characters. I would completely disagree. Yes, there are very few female characters in the trilogy and even fewer in The Hobbit. But I think this is a really clear case of quality over quantity. 

We have the river-child Goldberry, Tom Bombadil's beautiful wife who seems to have the power to heal all of the hobbits' ills. We have Galadriel, the beautiful and powerful Lady of Lothlorien, who can see all and whose gifts effectively allow the Fellowship to succeed. We have Arwen, the maiden who goes against her father's wishes to choose her own path, discarding immortality in favor of the man she loves. Arwen, who becomes a Queen of Men.

But most importantly, we have Eowyn. I probably should just write a whole separate post on this brilliant character but, quite frankly, I can't be bothered. In Eowyn's character Tolkien demonstrates a surprisingly keen understanding of how restricted a woman must have been in medieval society. Eowyn is so aware of the limitations she exists within that she would rather die painfully on the battlefield than return to her golden cage. Tolkien uses Eowyn's depression almost to say: look, this is what happens when you cage a free spirit. Man or woman, it doesn't matter.

And last but certainly not least, we have our little hobbits. I love them all individually and as a whole race, for their innocence and resilience. But I will always find myself somewhat partial to our wonderful, loyal gardener, Samwise Gamgee.

Sam is every bit as good and pure as Gollum is dark and twisted. They are, after all, mirror images of one another. Gollum has been turned and twisted before we meet him in either The Lord of the Rings or The Hobbit. He is a dark and violent character whose pre-ring goodness starts to leak through while he is in Frodo's service. Sam is the opposite, a pure and innocent young Hobbit who starts to display violent thoughts as he journeys further into Mordor. He grows suspicious of Gollum, talks about the creeping creature behind his back and fantasizes about killing him. Sam does actually kill Shelob, going berserk after the apparent loss Frodo. So what is it that I love about Sam and that distinguishes him from Gollum?

Sam remains pure and good because, unlike Gollum, he does not act for himself. Everything he does is to further the life and purpose of his beloved master Frodo.

But most of all, I love Sam because he reminds me that with enough determination, even the smallest of us can change the world.

8.22.2015

Fudoki | Kij Johnson






TITLE / Fudoki

AUTHOR / Kij Johnson

PUBLISHER / Tor Books

DATE OF PUBLICATION / October 1, 2004

NO. OF PAGES / 316

STARRED RATING / 


This is fantasy as I've never read it before.

Kij Johnson's Fudoki follows an aging imperial princess Harueme as she clears out her belongings so that she can retire to a monastery to live out her final days. As her attendant Shigeko sorts through trinkets, robes, and burns old notebooks full of writing, Harueme writes down the story of a young cat and the adventure that sends her away from her home in the capital and on a long journey to the other end of the empire. As Harueme also muses on her own life and her past encounters with her one love, a guard from a far off province named Domei, she writes a story that has our little cat girl facing kami (gods) and having to readjust to life after mysteriously turning into a human woman called Kagaya-hime.

When I first heard about this over on Mercedes' YouTube channel, I immediately added it to my to read list. I didn't know much about the plot, other than the obvious based on the cover. But I have honestly never encountered fantasy quite like this before, and now that I've written that out I'm starting to wonder if this should be more correctly classified as historical fiction, or historical fantasy. The story felt so authentic and seamless that it was easy to see that the author did her research and did it well.

The tale Harueme tells of Kagaya-hime is so compelling not only because of the tragedy the young cat faces and overcomes, but because of how it serves as a reflection and extension of Harueme's own life. One of the great takeaways for me was how much this novel reveals about court life in 12th century Japan, particularly that of a woman. There is a heart-breaking passage where Harueme, recalling her brief attempt to run away from the court and her would-be husband, admits:

"walking is hard. It had been twenty? twenty-five? years since I had walked with vigor; and then I'd been a girl" (254).

This about broke my heart. Harueme's life has been one of confinement and constant scrutiny, never more than earshot away from her attendants or a screen away from a man who would share her bed. She has never really seen the streets of the capital, let alone the different provinces or roads throughout the empire. It really is no wonder that she would craft a tale about a little cat who becomes a woman that is completely independent and able to not only fend for herself, but can actually best men at their own sport of war.

In addition to the plot and characters, Kij Johnson's writing is a joy in itself. She manages to capture the very soft, lyrical quality that is characteristic of Japanese literature, making Fudoki read like an authentic Japanese myth rather than a work of modern fiction. The pacing is also quite similar to Japanese literature; the plot is gripping, yet the pace is as steady as Kagaya-hime as she journeys on the Tokaido. Although I found I could put this down for hours at a time without feeling the burning desire to pick it up again, the novel also continued to linger in the back of my mind and I never really stopped thinking about it.

All in all, I am glad that Kij Johnson has written another novel in this same universe (The Fox Woman), because I don't think I'm ready to leave it entirely. Fudoki is definitely one of the best books I have read all year.