Showing posts with label japanese lit. Show all posts
Showing posts with label japanese lit. Show all posts

4.24.2017

The Keshiki Collection | Strangers Press

 



Are these not the most beautiful book covers you've ever seen? Behold the wonder that is the complete Keshiki set from Strangers Press, a chapbook collection translating and highlighting "eight of the most exciting writers working in Japan today."

I discovered Strangers Press a few months ago through their Twitter account. They're based in the UNESCO City of Literature Norwich and are all about publishing "the finest literature in translation." I practically jumped with joy when I saw that their current offering was all translations of new voices in Japanese fiction.

As I just received these chapbooks and haven't gotten a chance to crack them open (past admiring their French flaps, of course) yet, I can't really recommend them. However, if you love beautiful books or Japanese literature and you want the full set, I would recommend grabbing one before they are all gone!

I'm actually thinking of doing a video on the entire collection once I've actually read them all, but for now let's just admire the beauty and genius of these cover designs.


Check out the Strangers Press website | Get the full Keshiki set

4.08.2016

Teach Us to Outgrow Our Madness | Kenzaburo Oe







TITLE / Teach Us to Outgrow Our Madness

AUTHOR / Kenzaburo Oe

TRANSLATOR / John Nathan


PUBLISHER / Grove Press

DATE OF PUBLICATION / October 13, 1994 (originally published in Japan 1966)

NO. OF PAGES / 261

STARRED RATING / ★★★



With such an intense and fully packed collection of stories, I do not even know where to begin!

The title story, "Teach Us to Outgrow Our Madness" is about a hugely fat man who believes he is the only connection between the real world and his mentally disabled son and his obsession with how his father died. "Aghwee the Sky Monster" is narrated by a young man who is hired as the companion of a young composer who believes he can see a giant baby floating in the sky. The collection's longest and most bizarre story, "The Day He Himself Shall Wipe My Tears Away," is the tale of a man wearing goggles covered in cellophane who believes he is dying of cancer that is not actually there.

This collection of Oe's is full of the bizarre, the uncomfortable, and the grotesque. As mentioned in the fantastically informative introduction, Kenzaburo is of the generation of Japanese men that grew up in the aftermath of World War II and tried to recreate some sense of national identity while coming to grips with the horrors of war. The stories in this collection show a particular interest in father-son relationships, the act of seclusion, and the idea of what we inherit when we are born. Although these themes crop up in every story, Oe handles them so differently in each one that I was sometimes left wondering how one person could write in such different and yet equally strong voices.

The final and my favorite story in the collection, "Prize Stock," could be considered Oe's riff on Mark Twain's enduring novel Huckleberry Finn. In this story, our narrator is a boy of about 12 or 14 who lives in kind of a backwoods village during WWII. He sleeps with his father and brother in a storage shed full of slaughtered animals, hates the village kids, and believes that the war will never touch their lives until one day when an American fighter plane crashlands nearby. The villagers capture the African American pilot and hold onto him until he can be retrieved by the authorities. This African American soldier becomes the responsibility of the village children, who take turns watching and caring for him as though he were some kind of exotic pet.

"Prize Stock" is exemplary of this entire collection: graphic in its grotesqueness, brutal in its content, and harshly honest about how war affects boys and ultimately turns them into damaged men. It is also worth mentioning that John Nathan deserves some kind of medal for so beautifully translating a seemingly un-translatable novel. He somehow manages to translate the exquisite descriptions in "Prize Stock" without losing its ability to evoke emotion and in "The Day He Himself Shall Wipe My Tears Away," well... that story is so structurally weird that it serves as all the evidence I need to demonstrate Nathan's genius as a translator.

Needless to say, Teach Us to Outgrow Our Madness isn't a collection for those who like clean cut language or easy reads. But if you're interested in seeing just what twisted characters Oe can create, I would highly recommend this collection of short novels.

7.29.2015

The Gate | Natsume Soseki






TITLE / The Gate

AUTHOR / Natsume Soseki

PUBLISHER / NYRB Classics

DATE OF PUBLICATION / Dec 4, 2012 (Originally published in 1910)

NO. OF PAGES / 256

STARRED RATING / ★★★.5




If you like beautifully written novels where nothing much happens, this is the book for you.

Natsume Soseki's The Gate tells the story of Sosuke and his wife Oyone as they live quiet and uneventful lives on the outskirts of early 20th century Tokyo society. The couple already lives a life of little comfort when they find themselves suddenly burdened with supporting Koroku, Sosuke's younger brother, through the rest of his schooling. The novel follows about a year in the life of the young couple as they take in Koroku, continue their basic daily routines, and revel in each other's presence.

And that's about it. Something I learned about myself while reading this novel is that I actually really enjoy fiction with the very basic plot of just following someone's everyday life. The Gate's plot is brilliant in its ordinaryness, breathtaking in its quiet happenings. For some reason, it actually reminded me quite a bit of Jane Austen's Emma. The main action in this novel is the entrance and exit of new and different characters while the main character's daily life doesn't actually change that much.

Soseki somehow makes everything seem beautiful and poetic, from huddling around a brazier to changing clothes to Sosuke clipping his nails in the very last scene. Like the other Japanese literature I've read, Soseki's writing is so descriptive and yet simultaneously so subtle, and I now wonder if all those more modern writers learned this from Soseki himself.

I will say I wasn't completely enthralled with certain plot decisions, such as Sosuke's sudden decision to up and visit a Zen monastery. That whole section felt oddly disjointed and out of place and jerked me out of the world of the novel entirely. But as a whole I think this is a beautiful work that I would recommend to someone interested in getting to learn more about Japanese literature and Japanese culture.

7.22.2015

1Q84 | Haruki Murakami






TITLE / 1Q84

AUTHOR / Haruki Murakami

PUBLISHER / Knopf

YEAR OF PUBLICATION / 2010

NO. OF PAGES / 925

STARRED RATING / ★★★.5